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You've selected:
He had his dream
Sheetmusic to print
163 sheet music found
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He Had a Dream
Choral 2-part
2-part choir, Piano - Digital Download SKU: LX.15-3536H Composed by F. Thomas Simps…
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2-part choir, Piano - Digital Download SKU: LX.15-3536H Composed by F. Thomas Simpson. Educational. Octavo. 12 pages. Heritage Music Press #e15/3536H. Published by Heritage Music Press (LX.15-3536H). ISBN 9780787760755. Text: Trilby Carter Jordan.Celebrate the legacy of Martin Luther King, Jr., with this original from the musical Impossible Made Possible. Perfect for Martin Luther King, Jr. Day or any occasion where truth, justice, and freedom is reaffirmed. He had a dream, a glorious dream! Hopes glowing promise for me and you! He had a dream, a glorious dream! Dream of a better world and make his dream come true.
$2.50
2.33 €
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Choral 2-part
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F
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He Had a Dream
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Heritage Music Press
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SheetMusicPlus
Dream in Foreign
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.925099 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.925099 Composed by Carson Yi Zhong. Arranged by VCHS MUSE. Contemporary,World. Score and parts. 46 pages. VCHS MUSE #4355687. Published by VCHS MUSE (A0.925099). The music describe a 21st century young traveller. The opening section describes his childhood, during which he had a dream of going out to other countris and view the scene that he had never seen. The second part displayed the beginning of his journey in his young age, surrounded with joy and excitement. The third section revealed the thought of the traveller, when he starts to miss his home. The fourth section shows his nostalgia, and the thoughts in tranquility. The last part ends the music with the travelling finally back home, and he has a new perspective and view towards the future.
$2.99
2.79 €
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Jazz Ensemble
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Carson Yi Zhong
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Dream in Foreign
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VCHS MUSE
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SheetMusicPlus
Let It Be
Easy Piano
Easy Piano - Level 1 - Digital Download SKU: A0.850105 Composed by Leonard Winston …
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Easy Piano - Level 1 - Digital Download SKU: A0.850105 Composed by Leonard Winston Dillon. Arranged by Leah Ginzburg. Contemporary. Score. 1 pages. Leah Ginzburg #6135057. Published by Leah Ginzburg (A0.850105). A light beginner's version of the famous Let It Be, composed and performed by the Beatles in 1968. The arrangement in the key of C, with fingering, is very easy to play. Paul McCartney said he had the idea of Let It Be after he had a dream about his mother in 1968.
$4.99
4.66 €
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Easy Piano
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Leonard Winston Dillon
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Let It Be
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Leah Ginzburg
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SheetMusicPlus
He Leadeth Me with I Have Decided to Follow Jesus
Large Ensemble Flute Solo - Level 4 - Digital Download SKU: A0.818331 By Stephen R …
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Large Ensemble Flute Solo - Level 4 - Digital Download SKU: A0.818331 By Stephen R Dalrymple. By William Bradbury & Joseph Gilmore. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. Individual part. 60 pages. Stephen R Dalrymple #6087257. Published by Stephen R Dalrymple (A0.818331). He Leadeth Me – arrangement for Flute & Piano by Stephen R Dalrymple ♫ He Leadeth Me by Joseph H. Gilmore (lyrics 1862) & William B. Bradbury (music 1864) ♫ I Have Decided to Follow Jesus – lyrics by an unknown author, music ASSAM – folk melody from India ♫ arranged for Flute solo by Stephen R Dalrymple ♫ transcribed for clarinet, trumpet, French Horn, euphonium, violin, and cello by the arranger ♫ sequenced by the arranger ♫ music © 2011, 2021 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ Joseph Gilmore told the story of the writing of these lyrics, “As a young man who recently had been graduated from Brown University and Newton Theological Institution, I was supplying for a couple of Sundays the pulpit of the First Baptist Church in Philadelphia. At the midweek service, on the 26th of March,1862, I set out to give the people an exposition of the 23rd Psalm… I did not get further than the words ‘He Leadeth Me.’ Those words took hold of me as they had never done before, and I saw them in a significance and wondrous beauty of which I had never dreamed. It was the darkest hour of the Civil War. … led me to realize that God’s leadership is the one significant fact in human experience, that it makes no difference how we are led, or whither we are led, so long as we are sure God is leading us. ♫ This .pdf file includes 14 score choices • Full Score for Flute and piano letter size • Letter size parts for Flute, Clarinet, Trumpet, Euphonium (or trombone), Violin, and Cello, • Full Score small page format for performing from a 10 inch tablet for flute and piano and • the same solo parts for 10 inch tablet. tablet ♫ Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.
$4.50
4.2 €
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Stephen R Dalrymple
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He Leadeth Me with I Have Decided to Follow Jesus
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Stephen R Dalrymple
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SheetMusicPlus
He Leadeth Me
Large Ensemble French Horn,Piano - Level 3 - Digital Download SKU: A0.818349 By Ste…
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Large Ensemble French Horn,Piano - Level 3 - Digital Download SKU: A0.818349 By Stephen R Dalrymple. By Joseph Gilmore & William Bradbury. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. Score and part. 59 pages. Stephen R Dalrymple #6359211. Published by Stephen R Dalrymple (A0.818349). He Leadeth Me – arranged for French Horn & Piano by Stephen R Dalrymple ♫ He Leadeth Me by Joseph H. Gilmore (lyrics 1862) & William B. Bradbury (music 1864) ♫ arranged for French Horn solo by Stephen R Dalrymple ♫ transcribed for flute, clarinet, trumpet, euphonium, violin, and cello by the arranger ♫ sequenced by the arranger ♫ music © 2011, 2021 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ Joseph Gilmore told the story of the writing of these lyrics, “As a young man who recently had been graduated from Brown University and Newton Theological Institution, I was supplying for a couple of Sundays the pulpit of the First Baptist Church in Philadelphia. At the midweek service, on the 26th of March,1862, I set out to give the people an exposition of the 23rd Psalm… I did not get further than the words ‘He Leadeth Me.’ Those words took hold of me as they had never done before, and I saw them in a significance and wondrous beauty of which I had never dreamed. It was the darkest hour of the Civil War. … ♫ This arrangement was written for my youngest daughter, Willa. ♫ This .pdf file includes 16 score choices • Full Score for French Horn and Piano letter size • Letter size parts for Flute, Clarinet, Trumpet, Euphonium (or trombone), Violin, and Cello, • Full Score small page format for performing from a 10 inch tablet for flute and piano and • the same solo parts for 10 inch tablet. tablet ♫ Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.
$4.50
4.2 €
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Stephen R Dalrymple
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He Leadeth Me
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Stephen R Dalrymple
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SheetMusicPlus
EL LIBRO DE ARTEMIDORO, Op.63, for guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1029294 Composed by CÉSAR CANO. C…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1029294 Composed by CÉSAR CANO. Contemporary,World. Individual part. 35 pages. POLYHYMNIA Ediciones musicales #4799751. Published by POLYHYMNIA Ediciones musicales (A0.1029294). In the second century AD, Artemidoro de Daldis (135-200), a very cultured man who had traveled a lot, contemporary of Emperor Marco Aurelio, wrote in Ephesus his work Symbolism of Dreams (Oneirocritica). In it he tried to create a systematic theory for the interpretation of dreams, based on experience. Artemidoro claimed that he had written his work in five volumes by express order of the god Apollo, who had appeared several times in his dreams. In his fascinating book he distinguishes five kinds of dreams: Dream, Vision, Oracle, Appearance and Fantasy. Artemidoro’s book, Op. 63, is a work for guitar in five movements, which take their titles as the kinds of dreams mentioned above: Dream, Vision, Oracle, Appearance and Fantasy. It is an extensive composition, 19 minutes long, and with a great variety of compositional and instrumental techniques: the performer, who is asked for a lot of versatility and imagination, has to play glissandi, harmonics, pizzicati, bells, loops, metric modulations, ordinary and muted strokes, microtones, distortions, various kinds of bumps in the box, etc. The five movements share a special scordature and the same melodic, harmonic and rhythmic material, which is transformed according to the dreamlike atmosphere of the piece, but always maintaining each of the structural elements a recognizable identity. The multiple presences of these essential identities throughout the work articulate the complex form of the Book. I finished the composition of The Book of Artemidoro on April 24, 2006. The work is dedicated to guitarist José Guerola, who premiered it at the Vivanco Palace in Catarroja (Spain), on May 5, 2006.
$6.99
6.52 €
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CÃSAR CANO
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EL LIBRO DE ARTEMIDORO, Op.63, for guitar
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POLYHYMNIA Ediciones musicales
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SheetMusicPlus
Let It Be
Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viol…
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Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viola,Violin - Level 3 - Interactive Download SKU: A0.481914 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeremy Nafziger. This edition: Interactive Download. Christmas. Octavo. Duration 286. Jeremy Nafziger #6Re335EyhndYxZ7ALSuj10. Published by Jeremy Nafziger (A0.481914). Key: C major.The Beatles classic with the Advent hymn, In Dulci Jubilo. Both texts come from dreams, and this winds up a meaningful combination. In Dulci was written in the 14th century by German monk and teacher Heinrich Suso (or Seuse), who writes in his third-person autobiography about a dream he had: Now this same angel came up to the Servant [Suso] brightly, and said that God had sent him down to him, to bring him heavenly joys amid his sufferings; adding that he must cast off all his sorrows from his mind and bear them company, and that he must also dance with them in heavenly fashion. Then they drew the Servant by the hand into the dance, and the youth began a joyous song about the infant Jesus, which runs thus: In dulci jubilo... About 650 years later, in 1968, Paul McCartney was staying out late, drinking too much, and thinking that the Beatles were probably going to break up soon. Then one night, somewhere between deep sleep and insomnia, I had the most comforting dream about my mother, who died when I was only 14. She had been a nurse, my mum, and very hardworking, because she wanted the best for us.... At night when she came home, she would cook, so we didn’t have a lot of time with each other. But she was just a very comforting presence in my life. And when she died, one of the difficulties I had, as the years went by, was that I couldn’t recall her face so easily.... So in this dream twelve years later, my mother appeared, and there was her face, completely clear, particularly her eyes, and she said to me very gently, very reassuringly: “Let it be.” It was lovely. I woke up with a great feeling. It was really like she had visited me at this very difficult point in my life and gave me this message: Be gentle, don’t fight things, just try and go with the flow and it will all work out. His mother's name was Mary, or course. He wrote the song in the next few days, and it was released on the album on the same name in 1970, a month after the Beatles split up. As for the actual texts, they're very different. In Dulci is macaronic (alternating between two languages, in this case Latin and a translation from Medieval German) and ecstatic; Let It Be is English and more subdued. In this version, we alternate between the two but keep the Let It Be structure, except for a diversion in the middle where the well-known Bach setting is adopted as kind of an interlude. The two texts and melodies are sung together in the last verse (the fourth In Dulci verse and the third Let It Be verse), where both are talking about music.
$3.99
3.72 €
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The Beatles
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Let It Be
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Jeremy Nafziger
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SheetMusicPlus
Celtiberian Landscape For Harp And Orquestra
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos T…
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Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeira #4725435. Published by Luis Anjos Teixeira (A0.889427). „Celtiberian Landscape For Harp, Choir and Symphonic Orchestra All the woodwind solo parts and the Horn can be doubled. The chamber option for a minimum number of soloists would be, 1 Flute 1 Oboe 1 English Horn 1 Eb Clarinet 1 Bb Clarinet 1 Fagotte 1 Kontra Fagotte 1 F Horn 2 C Trumpet 2 Trombone 2 Tuba Timbale Bells, „Glockenspiel or Piano Percussion: gong, bass drum, snare, splash, triangle. Harp Celesta or Piano Violin I Violin II Viola Cello DoubleBass DoubleBass Solo Soprano Alto Tenor Bass In this PDF file, for each voice in the score there is an individual part ready to print. Included in this file is also the full score for the choir with individual parts. There is no text to be sung, so in the sense of a vocalizo „oh and „ah can be used „ad lieb by the singers. For the bells there is an extra optional score that could be eventually used by a keyboard instrument. The percussion could be performed by 3 or 4 musicians. It consists of a set of cymbals „G, A and C, a splash or crash, an open triangle, a snare drum, One or 2 Gongs and a bass drum. For each voice in the ensemble score there is an individual part ready to print and an optional standard one. The parts are very easy to perform. The piece is can easily be adjusted to different situations. It is perfect for school ensembles and mixed groups of beginner students and advanced ones. A little story about this piece In my early teens I dreamed in my sleep that I met a very nice gentleman, in a beautiful garden. At the time I did not now that the man in my dream was my „genetic Grandpa himself, I had never seen a picture from him, only many years later after this dream. Now back to the Dream. Grandpa toke me from the garden to a House full of sculptures and art work. There was also a room with 3 great pianos, sat to perform on 3 different stages. Family life size portraits where hanging on a corridor. Another room was full of swords and ancient family weapons. In the end of the dream a dangerous Entity approached the house, Grandpa disappears and I had to leave the place in a hurry without being noticed. I climbed up the house and went hiding on the celling. I could than see a middle aged, middle-Lower class lady coming in the House, she was very stiff, all dressed in black like a widow. It was a very weary feeling, I woke up to never forget this dream. About 20 years later I was in that garden. It was really abandoned and I spend much of my time hanging there, I wrote a lot of music in this garden. I knew about The owner of this garden, he was living not so far away from me. Curious I decided to visit him. He leaved in the house that I dreamed of and he was actually my Father but I did not know that he was my Father and either did he knew about me being his son. He died shortly after we met. His name was Pedro Augusto Franco Dos Anjos Teixeira and my Grandpa was Artur Gaspar Dos Anjos Teixeira. Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Grandpa, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was p.
$24.99
23.32 €
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Orchestra
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Luis Anjos Teixeira
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Celtiberian Landscape For Harp And Orquestra
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Luis Anjos Teixeira
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SheetMusicPlus
Two Dreams for solo Trombone and 8-part Percussion Ensemble
Percussion Ensemble
Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcíaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
46.67 €
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Percussion Ensemble
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Antonio J
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Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Gordon Cherry
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SheetMusicPlus
Cello - "And Can It Be?" Theme and Variations
Cello, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles…
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Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00
5.6 €
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Cello, Piano
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Cello - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
Tuba solo - "And Can It Be?" Theme and Variations
Tuba
Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles …
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Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00
5.6 €
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Tuba
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Tuba solo - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
Alto Sax - "And Can It Be?" Theme and Variations
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00
6.53 €
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Alto Saxophone and Piano
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Alto Sax - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
Jeanie with the Light Brown Hair
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind quintet - Digital Download SKU: IZ.CMS1612 Composed by Stephen Foster. Arr…
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Woodwind quintet - Digital Download SKU: IZ.CMS1612 Composed by Stephen Foster. Arranged by Judith Katz. Score and Parts. 18 pages. Imagine Music - Digital #CMS1612. Published by Imagine Music - Digital (IZ.CMS1612). 9 x 12 in inches.Jeanie With The Light Brown Hair is one of the most enduring, and popular American songs of all times.Characterized as a parlor song, it was written by Stephen Foster, and published by Firth, Pond & Co. of NewYork, in1854.In 1850, Foster married Jane Denny McDowell, whose nickname was Jennie. However, this was an unhappymarriage, short-lived, with numerous conflicts and separations. Jeanie With The Light Brown Hair, was written asperhaps an attempt to win his wife back. To add to his problems, Foster also ran into deep financial difficulties.Jeanie With the Light Brown Hair was virtually unknown during its time. When it was first published, the royaltieson the ten thousand copies sold, earned just $200 for Stephen Foster. To make ends meet, he had to sell the rights toJeanie, as well as other songs. After his death, the rights to Jeanie With The Light Brown Hair reverted back to hiswife and daughter.It would indeed be a pleasant surprise to Stephen Foster, if he only knew what a wide range of artists have adaptedthis song to different genres. Among solo instrumentalists, Jascha Heifitz, and William Primrose have arranged itfor solo violin and viola. The big bands of Gene Krupa, and Glen Miller have recorded it. The great R & B artist,Sam Cooke used it, as well as opera stars, Marilyn Horne and John McCormick, who added it to their concertrepertoire.The song's frequent airplay in the 1940's, led Spike Jones to create a parody, called, I Dream of Jeanie with theLight Blue Jeans. Les Brown in 1941, created a big band song, Joltin' Joe DiMaggio with the line.....We Dream ofJoey With the Light Brown Bat. Even Bugs Bunny got into the act. The 1960 short, From Hare To Heir, featuresBugs singing, I dream of Jeanie, she's a light brown hareMy arrangement, for woodwind quintet is written to capture a lyric, singing style, which I think Foster had in mind.
$12.00
11.2 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Stephen Foster
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Jeanie with the Light Brown Hair
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Imagine Music - Digital
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SheetMusicPlus
Emerald Necklace ... The Story of Frederick Law Olmsted (2009) for narrator and orchestra
Large Ensemble Voice - Level 4 - Digital Download SKU: A0.869309 Composed by Thomas…
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Large Ensemble Voice - Level 4 - Digital Download SKU: A0.869309 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Pluto … The Lord of the Underworld. (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s “Peter and the Wolf.†I said, “Yes. I would be delighted to do so.†He. 90 pages. Thomas Oboe Lee #431371. Published by Thomas Oboe Lee (A0.869309). Program note. Maestro Charles Ansbacher has been a devoted supporter of my work for many years. In the past 6 years he has commissioned me to write two works for his ensemble, the Boston Landmarks Orchestra: 1) Mambo!!! (2003) 2) Pluto … The Lord of the Underworld (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s Peter and the Wolf. I said, Yes. I would be delighted to do so. He told me that the subject for this work would be Boston’s own landscape architect, Frederick Law Olmsted. Sure, I said, why not? Charles told me he had a poet in mind who would provide the text, Nancy Stevenson. I said, Great! The work is in four parts, following Ms. Stevenson’s poetic design. I wrote a marching music in Part One depicting Mr. Olmsted when as a child he walked from his home to his aunts and uncles who lived far away. As a young man, Mr. Olmsted went through many jobs until he decided that as a landscape architect he could make cities a better place for children and adults alike. The mayor of Boston hired him to do just that, to make Boston more livable. In Part Two, I wrote presto music depicting the dredging of the Charles River and the planting of trees along its shores. In Part Three, the text describes the Boston Emerald Necklace – the paths that lead from the Fens to the Arboretum to Franklin Park. For this section I chose music that is bucolic and pastoral, a setting that evokes the country side with a flock of sheep, complete with a shepherd and his dog. In the last section the text describes Mr. Olmsted’s dream that in his parks there would be tranquility and rest to the mind … a place where the rich and the poor would play together. The music returns to the legato march that began the work.
$9.99
9.32 €
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Thomas Oboe Lee
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Emerald Necklace ... The Story of Frederick Law Olmsted
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Thomas Oboe Lee
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SheetMusicPlus
Emerald Necklace ... The Story of Frederick Law Olmsted (2009) for narrator and orchestra
Large Ensemble Voice - Digital Download SKU: A0.869339 Composed by Thomas Oboe Lee.…
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Large Ensemble Voice - Digital Download SKU: A0.869339 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Pluto … The Lord of the Underworld. (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s “Peter and the Wolf.†I said, “Yes. I would be delighted to do so.†He. 90 pages. Thomas Oboe Lee #32449. Published by Thomas Oboe Lee (A0.869339). Program note. Maestro Charles Ansbacher has been a devoted supporter of my work for many years. In the past 6 years he has commissioned me to write two works for his ensemble, the Boston Landmarks Orchestra: 1) Mambo!!! (2003) 2) Pluto … The Lord of the Underworld (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s Peter and the Wolf. I said, Yes. I would be delighted to do so. He told me that the subject for this work would be Boston’s own landscape architect, Frederick Law Olmsted. Sure, I said, why not? Charles told me he had a poet in mind who would provide the text, Nancy Stevenson. I said, Great! The work is in four parts, following Ms. Stevenson’s poetic design. I wrote a marching music in Part One depicting Mr. Olmsted when as a child he walked from his home to his aunts and uncles who lived far away. As a young man, Mr. Olmsted went through many jobs until he decided that as a landscape architect he could make cities a better place for children and adults alike. The mayor of Boston hired him to do just that, to make Boston more livable. In Part Two, I wrote presto music depicting the dredging of the Charles River and the planting of trees along its shores. In Part Three, the text describes the Boston Emerald Necklace – the paths that lead from the Fens to the Arboretum to Franklin Park. For this section I chose music that is bucolic and pastoral, a setting that evokes the country side with a flock of sheep, complete with a shepherd and his dog. In the last section the text describes Mr. Olmsted’s dream that in his parks there would be tranquility and rest to the mind … a place where the rich and the poor would play together. The music returns to the legato march that began the work.
$9.99
9.32 €
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Thomas Oboe Lee
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Emerald Necklace ... The Story of Frederick Law Olmsted
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Thomas Oboe Lee
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SheetMusicPlus
HOLY LORD
Piano solo
Piano - Digital Download SKU: A0.1066628 Composed by THEMIS KOUTRAS. Christian,Gosp…
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Piano - Digital Download SKU: A0.1066628 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 215. THEMIS KOUTRAS #4783867. Published by THEMIS KOUTRAS (A0.1066628). This is when i studied the holy bible from the time i got up to the time i went to bed for years i must have read it 1000 x or even more anyway it was at the time i remembered the scripture saying in the future says the LORD i shall write and pin thy word (law) in there hearts so i said cool lord may i ask you for that gift? instantly GOD knocks me out without any pain and i had a dream i saw him put the holy bible in my mind and heart from then on i new it all off by heart ye true but Satan hated the gift GOD gave me and coursed me to forget it all i was tempted like no other i only new GOD EXISTED and Satan was his enemy i had forgotten it everything else Satan appears to me saying the same temptation he said to GOD SON and offered me to be king of all the cosmos i said no way Satan i rather be in poverty then a king against GOD i said no no way and said i will war with you Satan for if you are GODS enemy you are also my enemy i also said what JESUS CHRIST said to him not remembering the holy bible at all by nature the holy spirit withing me gave me this song as i wrote it after i finished i sang it to GOD as i remembered about his son i sang it to him also after i finished singing i then was helped by GOD and remembered the holy bible ones again i said wait one moment this song is coming from the book of revelation and true it dose i said how did GOD son knew about me and that i will write this so many centuries before my time? this strengthened me to know he knows all things and said thank you to him so on Satan still gets me to forget it all from time to time and tempts me but i pass by the help of the holy spirit he then helps me remember again thanking him now
$4.99
4.66 €
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Piano solo
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THEMIS KOUTRAS
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HOLY LORD
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THEMIS KOUTRAS
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SheetMusicPlus
HOLY LORD 2
Piano solo
Piano - Digital Download SKU: A0.1066608 Composed by THEMIS KOUTRAS. Christian,Gosp…
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Piano - Digital Download SKU: A0.1066608 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 218. THEMIS KOUTRAS #4782783. Published by THEMIS KOUTRAS (A0.1066608). This is when i studied the holy bible from the time i got up to the time i went to bed for years i must have read it 1000 x or even more anyway it was at the time i remembered the scripture saying in the future says the LORD i shall write and pin thy word (law) in there hearts so i said cool lord may i ask you for that gift? instantly GOD knocks me out without any pain and i had a dream i saw him put the holy bible in my mind and heart from then on i new it all off by heart ye true but Satan hated the gift GOD gave me and coursed me to forget it all i was tempted like no other i only new GOD EXISTED and Satan was his enemy i had forgotten it everything else Satan appears to me saying the same temptation he said to GOD SON and offered me to be king of all the cosmos i said no way Satan i rather be in poverty then a king against GOD i said no no way and said i will war with you Satan for if you are GODS enemy you are also my enemy i also said what JESUS CHRIST said to him not remembering the holy bible at all by nature the holy spirit withing me gave me this song as i wrote it after i finished i sang it to GOD as i remembered about his son i sang it to him also after i finished singing i then was helped by GOD and remembered the holy bible ones again i said wait one moment this song is coming from the book of revelation and true it dose i said how did GOD son knew about me and that i will write this so many centuries before my time? this strengthened me to know he knows all things and said thank you to him so on Satan still gets me to forget it all from time to time and tempts me but i pass by the help of the holy spirit he then helps me remember again thanking him now
$4.99
4.66 €
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Piano solo
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THEMIS KOUTRAS
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HOLY LORD 2
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THEMIS KOUTRAS
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SheetMusicPlus
Dichterliebe, Op.48 No.1 - Voice and Piano - Bb minor (Full Score and Parts)
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1418389 Composed by Robert S…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1418389 Composed by Robert Schumann. Arranged by César Madeira. 19th Century,Classical,Lent,Opera,Romantic Period. Score. 8 pages. Sheet Music To Play Editions #999955. Published by Sheet Music To Play Editions (A0.1418389). Dichterliebe, Op.48 No.1 (Im wunderschönen Monat Mai) by Robert Schumann. Arrangement for Voice and Piano - Bb minor. With Full Score and Individual Parts. Enjoy it!Robert Schumann (1810 – 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
7.46 €
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Piano, Voice
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Robert Schumann
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Dichterliebe, Op.48 No.1 - Voice and Piano - Bb minor
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Sheet Music To Play Editions
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SheetMusicPlus
Dichterliebe, Op.48 No.1 - Voice and Piano - C minor (Full Score and Piano)
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1418395 Composed by Robert S…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1418395 Composed by Robert Schumann. Arranged by César Madeira. 19th Century,Lent,Opera,Romantic Period,Wedding. Score. 8 pages. Sheet Music To Play Editions #999961. Published by Sheet Music To Play Editions (A0.1418395). Dichterliebe, Op.48 No.1 (Im wunderschönen Monat Mai) by Robert Schumann. Arrangement for Voice and Piano - C minor. With Full Score and Individual Parts. Enjoy it!Robert Schumann (1810 – 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
7.46 €
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Piano, Voice
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Robert Schumann
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Dichterliebe, Op.48 No.1 - Voice and Piano - C minor
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Sheet Music To Play Editions
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SheetMusicPlus
Dichterliebe, Op.48 No.1 - Voice and Piano - A minor (Full Score and Parts)
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1418387 Composed by Robert S…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1418387 Composed by Robert Schumann. Arranged by César Madeira. 19th Century,Lent,Opera,Romantic Period,Wedding. Score. 8 pages. Sheet Music To Play Editions #999953. Published by Sheet Music To Play Editions (A0.1418387). Dichterliebe, Op.48 No.1 (Im wunderschönen Monat Mai) by Robert Schumann. Arrangement for Voice and Piano - A minor. With Full Score and Individual Parts. Enjoy it!Robert Schumann (1810 – 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
7.46 €
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Piano, Voice
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Robert Schumann
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Dichterliebe, Op.48 No.1 - Voice and Piano - A minor
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Sheet Music To Play Editions
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SheetMusicPlus
Dichterliebe, Op.48 No.1 - Voice and Piano - F# minor (Full Score and Parts)
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1418374 Composed by Robert S…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1418374 Composed by Robert Schumann. Arranged by César Madeira. 19th Century,Classical,Multicultural,Opera,Romantic Period,World. Score. 8 pages. Sheet Music To Play Editions #999937. Published by Sheet Music To Play Editions (A0.1418374). Dichterliebe, Op.48 No.1 (Im wunderschönen Monat Mai) by Robert Schumann. Arrangement for Voice and Piano - F# minor. With Full Score and Individual Parts. Enjoy it!Robert Schumann (1810 – 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
7.46 €
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Piano, Voice
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Robert Schumann
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Dichterliebe, Op.48 No.1 - Voice and Piano - F# minor
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Sheet Music To Play Editions
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SheetMusicPlus
Dichterliebe, Op.48 No.1 - Voice and Piano - B minor (Full Score and Parts)
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1418392 Composed by Robert S…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1418392 Composed by Robert Schumann. Arranged by César Madeira. 19th Century,Classical,Opera,Romantic Period,Wedding. Score. 8 pages. Sheet Music To Play Editions #999958. Published by Sheet Music To Play Editions (A0.1418392). Dichterliebe, Op.48 No.1 (Im wunderschönen Monat Mai) by Robert Schumann. Arrangement for Voice and Piano - B minor. With Full Score and Individual Parts. Enjoy it!Robert Schumann (1810 – 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
7.46 €
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Piano, Voice
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Robert Schumann
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Dichterliebe, Op.48 No.1 - Voice and Piano - B minor
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Sheet Music To Play Editions
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SheetMusicPlus
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